Inferno (1980)
A man uncovers dark secrets in his sister’s eerie NYC apartment. Ideal for supernatural thriller fans; avoid if you dislike horror.
Genres: Horror, Thriller
Cast
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- Cast member 3
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- Cast member 10

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Inferno(1980)
Overview
A young man returns from Rome to his sister's satanic New York apartment house.
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Cast
Full Cast & Crew
Leigh McCloskey
Mark Elliot

Irene Miracle
Rose Elliot

Eleonora Giorgi
Sara

Daria Nicolodi
Elise Stallone Van Adler

Sacha Pitoëff
Kazanian

Alida Valli
Carol

Veronica Lazăr
Nurse

Gabriele Lavia
Carlo

Feodor Chaliapin Jr.
Professor Arnold / Dr. Varelli

Leopoldo Mastelloni
John, the Butler

Ania Pieroni
Musical Student

James Fleetwood
Cook

Rosario Rigutini
Man

Ryan Hilliard
Shadow

Paolo Paoloni
Music Teacher

Fulvio Mingozzi
Cabdriver

Luigi Lodoli
Bookbinder

Rodolfo Lodi
Old Man

Dario Argento
Narrator (voice) (uncredited)

Ettore Martini
Burning Building Cop (uncredited)
Featured Comments/Tips
Gorgeous visuals and score, and some great set pieces. I also like how Argento furthered along the mythology, but overall I found it a rather disappointing entry in the Three Mother'#39;s trilogy. The conclusion is to abrupt and unsatisfying, and too much of the plot is all over the place.
Three Mothers Trilogy Suspiria (1977) https://trakt.tv/movies/suspiria-1977 Inferno (1980) https://trakt.tv/movies/inferno-1980 Mother of Tears (2007) https://trakt.tv/movies/the-mother-of-tears-2007
While I prefer Argento's non-supernatural films, this is still a fine supernatural horror. It took me over a day and a half to finish this film because I kept getting interrupted. This is another film that excels at making you feel like you’re trapped in an endless nightmare. It nails the usual dreamy, mysterious, and unsettling atmosphere Argento's known for, which carries most of this film, and its developing mythos is compelling. Love the jumping around those three characters which gives you the feeling that you're never safe. The highlight for me is the underwater sequence.
Featured User Reviews

For me, this movie is hard to rate. There are different aspects that I really liked, but at the same time a number of aspects that I disliked. What I liked: - The psychodelic aspects of the movie, the crazy colorful lightning, the strange surreal subworlds, such as the water hole in the beginning, the cellars, the inbetween floors. - The nightmare-like flair - Perfect acting of part of the ensemble (i.e. Irene Miracle, Alida Valli, Sacha Pitoëff) - Some of the strange scenes that this movie uses - The ingenious soundtrack that leaps from classic to gothic rock; pretty great! What I disliked: - The sometimes really slow pace, that in some cases tend to boredom - The story telling in it self; some scenes seem to be arbitrary and do not add anything to the movie, neither for the story nor for the esthetics. Especially while watching it the first time I felt a bit lost sometimes and wondered what has happend and why and why this is in any way important. - The bad acting of some of the cast (i.e. Veronica Lazar, Leigh McCloskey, or Elenora Giorgi) - The End (the transformation to "Death"... well... for 1980 that could have been done *much* better) So all in all, I am torn between the greatness of this movie on the one side - the camera is ingenious, the music is great, parts of the acting is great some of the scenes are thrilling as hell - and on the other side some scenes that where boring, made no sense or consisted of bad acting. It is better than average, so not a 5/10 but also not as great as it could be, which is why I ended up with a 6/10. (In comparison: 4 Flies: 6/10, Crystal Plumage: 7/10, Opera: 8/10).

An Argento is a perfect start to a new year!!! This time around I chose Inferno, as it has been quite some time since the last time I watched it... ...and about an hour in, I remembered why I never really take this one out as much as the other films by Argento. I hate the cat abuse scene so much!! I know the asshole gets his comeuppance almost immediately, but the scene is SOOOOO long. I know this is weird coming from a fan of genre film, but this is just how it is with me. Otherwise, this is almost on par with Suspiria in my book. The lighting is terrific, and the music almost tells the story alone. Argento really knows how to set a certain mood. The acting is good, but as usual with the supernatural films by Argento, the story looses some cohesion at the end. This does not ruin much by any means, but the story is never as tight as in the gialli that made Argento famous. It'll probably be a while before I take this one off the shelves again, but don't let that discourage you. You might stomach the scene mentioned above better than me...
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