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New York Philharmonic Young People's Concerts

 (1958)

Streaming Episode Guide

Season 1
8.2
| Top 5 Episodes
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Season 1  
8.2
Holst: The Planets
Episode 53 - 3-26-1972
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Holst The Planets
Liszt and the Devil
Episode 52 - 2-13-1972
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Liszt and the Devil
Thus Spake Richard Strauss
Episode 51 - 4-04-1971
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Thus Spake Richard Strauss
A Copland Celebration
Episode 50 - 12-27-1970
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A Copland Celebration
The Anatomy of a Symphony Orchestra
Episode 49 - 5-24-1970
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The Anatomy of a Symphony Orchestra
Fidelio: A Celebration of Life
Episode 48 - 3-29-1970
Bernstein takes a look at Beethoven's so-called "flawed masterpiece" - his only opera, Fidelio. After discussing the story and its problems, "charming excerpts" are performed. Four vocal selection from Act II follow, each preceded by analysis and plot summary.
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Fidelio A Celebration of Life
Two Ballet Birds
Episode 47 - 9-14-1969
Bernstein compares the main theme of Tchaikovsky's Swan Lake with Stravinsky's Firebird. A performance of the pas de deux from Swan Lake illustrates the concept of abstract ballet, followed by excerpts from Stravinsky's Firebird.
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Two Ballet Birds
Berlioz Takes a Trip
Episode 46 - 5-25-1969
Bernstein discusses what he describes as the "first psychedelic symphony," Berlioz's La Symphonie fantastique, examining the concept of the idée fixe in music and illustrating this concept with excerpts froth first movement. Bernstein analyzes the music and discusses the story line of the remaining movements, which are performed by the Philharmonic.
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Berlioz Takes a Trip
Bach Transmogrified
Episode 45 - 4-27-1969
Michael Korn; Leopold Stokowski; Moog synthesizer; New York Rock and Roll Ensemble
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Bach Transmogrified
Fantastic Variations (Don Quixote)
Episode 44 - 12-25-1968
Lorne Munroe, cellist
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Fantastic Variations Don Quixote
Quiz-Concert: How Musical Are You?
Episode 43 - 5-26-1968
Leonard Bernstein quizzes Avery Fisher Hall and television audiences on their musicality. Highlights include true-or-false questions with musical examples, and excerpts from Mozart, Prokofiev, and Rimsky-Korsakov.
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QuizConcert How Musical Are You
Young Performers No. 9
Episode 42 - 3-31-1968
Lawrence Foster; Alois Springer; Martin and Steven Vann; Helen Quach, Michael DeTemple
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Young Performers No 9
Forever Beethoven
Episode 41 - 1-28-1968
Joseph Kalichstein; Paul Capolongo
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Forever Beethoven
A Toast to Vienna in 3/4 Time
Episode 40 - 12-25-1967
Bernstein pays tribute to New York Philharmonic's "fraternal orchestra," the Vienna Philharmonic, in celebration of the 125th anniversary of both orchestras. Works by Johann and Richard Strauss, Mozart, Beethoven, and Mahler are performed, preceded by a brief discussion.
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A Toast to Vienna in 34 Time
Alumni Reunion
Episode 39 - 4-19-1967
Stephen E. Kates; Veronica Tyler; André Watts
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Alumni Reunion
Charles Ives: American Pioneer
Episode 38 - 2-23-1967
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Charles Ives American Pioneer
Young Performers No. 8
Episode 37 - 1-27-1967
Elmar Oliveira; Mark Salkind; Fred Alston; Donald Green; Juan Pablo Izquierdo; Sylvia Caduff; George Reid; Young Uck Kim
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Haven't Seen
Young Performers No 8
What is a Mode?
Episode 36 - 11-23-1966
Bernstein discusses scales, intervals and tones, and analyzes several pieces, including Debussy's Fêtes, Rimsky-Korsakov's Scheherazade, and music from the Kinks and the Beatles, to illustrate different modes. An excerpt from Bernstein's ballet Fancy Free is also performed.
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What is a Mode
Young Performers No. 7
Episode 35 - 2-22-1966
Performers include Paul Schoenfeld; Stephanie Sebastian; David Oei; Horacio Gutiérrez; James DePreist; Jacques Houtmann; Edo de Waart.
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Young Performers No 7
A Birthday Tribute to Shostakovich
Episode 34 - 12-15-1965
Bernstein celebrates Dmitri Shostakovich's sixtieth birthday by discussing his work and conducting an excerpt from his Symphony No. 7 and all of Symphony No. 9.
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A Birthday Tribute to Shostakovich
The Sound of an Orchestra
Episode 33 - 12-14-1965
Bernstein explains that the duty of the orchestra is to reproduce faithfully the notes and instructions of the composer. The main focus is the first half of Haydn's Symphony No. 88. The opening music is deliberately played incorrectly and errors are pointed out.
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The Sound of an Orchestra
Musical Atoms: A Study of Intervals
Episode 32 - 11-29-1965
Bernstein explains musical intervals and discusses their relationship to harmony, melody and inversion. After analysis, the first movement of Symphony No. 4 in E-flat Major by Brahms is performed. The discussion continues, focusing on major and minor seconds.
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Musical Atoms A Study of Intervals
A Tribute to Sibelius
Episode 31 - 2-19-1965
Bernstein celebrates the one hundredth anniversary of the birth of Finnish composer Jean Sibelius, and comments on Finland, the Finnish language, and Finnish patriotism, as well as Sibelius himself. Works by the composer, including Finlandia and the first movement of his Violin Concerto, with soloist Sergiu Luca, are performed.
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A Tribute to Sibelius
Young Performers No. 6
Episode 30 - 1-28-1965
Patricia Michaelian; James Boswell IV
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Young Performers No 6
Farewell to Nationalism
Episode 29 - 11-30-1964
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Farewell to Nationalism
What is Sonata Form?
Episode 28 - 11-06-1964
Bernstein describes the three-part sonata form, and exemplifies it by singing the Beatle's "And I Love Her." Veronica Tyler sings Micaela's aria from Bizet's Carmen and Bernstein conducts the Philharmonic in the first movement of Mozart's Jupiter Symphony.
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What is Sonata Form
Jazz in the Concert Hall
Episode 27 - 3-11-1964
Bernstein discusses the blending of jazz and symphonic music, with performances and readings to illustrate. The program ends with Larry Austin's Improvisations for Orchestra and Jazz Soloists.
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Jazz in the Concert Hall
The Genius of Paul Hindemith
Episode 26 - 2-23-1964
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The Genius of Paul Hindemith
Young Performers No. 5
Episode 25 - 12-23-1963
Heidi Lehwalder; Amos Eisenberg; Weldon Berry, Jr.; Claudio Abbado; Shulamit Ran (as Shulamith Ran); Pedro Calderon; Stephen E. Kates; Zdeněk Košler
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Young Performers No 5
A Tribute to Teachers
Episode 24 - 11-29-1963
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A Tribute to Teachers
The Latin American Spirit
Episode 23 - 3-08-1963
Bernstein discusses "the two ingredients that give this music its special Latin flavor: rhythm and color." Excerpts include Bernstein's own Symphonic Dances from West Side Story.
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The Latin American Spirit
Young Performers No. 4
Episode 22 - 1-15-1963
Joan Weiner; Yuri Krasnopolsky; Claudia Hoca; Zoltán Rozsnyai; Pamela Paul; Serge Fournier; André Watts
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Young Performers No 4
What is a Melody?
Episode 21 - 12-21-1962
Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Mozart, Hindemith, and Brahms.
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What is a Melody
The Sound of a Hall
Episode 20 - 11-21-1962
John Corigliano, Sr.; Frank Gullino; Joseph Bernstein; William Dembinsky
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The Sound of a Hall
Young Performers No. 3
Episode 19 - 4-14-1962
Seiji Ozawa; Gary Karr; Maurice Peress; John Canarina; Ruth & Naomi Segal; Paula Robison; Paul Green; Tony Cirone; David Hopper
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Young Performers No 3
Happy Birthday, Igor Stravinsky
Episode 18 - 3-26-1962
Bernstein sketches a brief history of Stravinsky's musical career, noting changes of style and shifts of direction. The whole of Petrouchka is played and each scene is analyzed.
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Happy Birthday Igor Stravinsky
The Road to Paris
Episode 17 - 1-18-1962
Zara Nelsova
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The Road to Paris
What is Impressionism?
Episode 16 - 12-01-1961
Bernstein focuses on impressionism in music, discussing the methods and styles of Debussy and Ravel. He conducts three movements from La Mer and the final dance of Daphnis et Chloe.
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What is Impressionism
Folk Music in the Concert Hall
Episode 15 - 4-09-1961
Bernstein discusses folk music and its influence on orchestral music, and conducts excerpts from Mozart, Chavez and Ives, and "Songs of the Auvergne" sung by Marni Nixon.
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Folk Music in the Concert Hall
Young Performers No. 2
Episode 14 - 3-19-1961
Lynn Harrell; Elyakum Shapirra; Jung-Ja Kim; Russell Stanger; Veronica Tyler; Gregory Millar; Henry Chapin
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Young Performers No 2
Aaron Copland Birthday Party
Episode 13 - 2-12-1961
Aaron Copland; William Warfield
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Aaron Copland Birthday Party
Overtures and Preludes
Episode 12 - 1-08-1961
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Overtures and Preludes
The Second Hurricane
Episode 11 - 4-24-1960
The High School of Music & Art
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The Second Hurricane
Unusual Instruments of Present, Past, and Future
Episode 10 - 3-27-1960
New York Pro Musica; Noah Greenberg; Vladimir Ussachevsky; Anita Darian
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Unusual Instruments of Present Past and Future
Young Performers No. 1
Episode 9 - 3-06-1960
Daniel Domb; Kenneth Schermerhorn; Barry Finclair; Stefan B. Mengelberg; Alexandra Wager
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Young Performers No 1
Who is Gustav Mahler?
Episode 8 - 2-07-1960
Leonard Bernstein celebrates Mahler's centennial by conducting excerpts from the composer's Fourth Symphony in G and discussing his career as a composer and conductor. Soprano Reri Grist joins the orchestra in a performance of the last movement of the Fourth Symphony. William Lewis sings "Youth" and Helen Raab sings from "The Farewell," both from Mahler's The Song of the Earth (Das Lied von der Erde).
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Who is Gustav Mahler
What is a Concerto?
Episode 7 - 3-28-1959
Leonard Bernstein discusses the development of the concerto form from Bach to Bartok. Bernstein conducts examples of early concertos-Bach's Fifth Brandenburg Concerto and Vivaldi's Concerto in C Major. From the classical period, he conducts Mozart's Sinfonia Concertante and, finally, the fourth and fifth movements of Bartok's neo-classical Concerto for Orchestra.
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What is a Concerto
Humor in Music
Episode 6 - 2-28-1959
Using excerpts from Shostakovich, Mahler, Haydn and others Bernstein demonstrates how a "serious" composition can take an unexpected humorous turn. Prokofiev's Classical Symphony is played in its entirety.
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Humor in Music
What is Classical Music?
Episode 5 - 1-24-1959
Bernstein conducts Handel's Water Music and cites it as an indisputable example of classical music. "Exact" is the word that best defines classical music, Bernstein says, and he demonstrates with musical illustrations from Bach's Fourth Brandenburg Concerto, Mozart's Concerto No. 21 in C Major and The Marriage of Figaro, and Haydn's Symphony No. 102. The decline of classical music at the end of the eighteenth century is tied to Beethoven's innovations and the Romantic movement, and Bernstein conducts Beethoven's Egmont Overture.
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What is Classical Music
What Makes Music Symphonic?
Episode 4 - 12-13-1958
Using the examples of Mozart's Jupiter Symphony and Tchaikovsky's Fourth Symphony, Bernstein demonstrates the techniques of repetition and variation int he development of symphonic music. After conducting part of Tchaikovsky's Romeo and Juliet, he asks the audience to sing "Frére Jacques," demonstrating the uses of sequence and imitation in symphonic composition. The final movement of Brahm's Second Symphony is then analyzed and played.
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What Makes Music Symphonic
What is Orchestration?
Episode 3 - 3-08-1958
1h 0m
After brief introductory remarks, Bernstein conducts the finale of Rimsky-Korsakov's Capriccio espagnol and then explains what a composer must know in order to orchestrate music successfully. He compares the flute to the trumpet, and the clarinet to the viola, with examples from Debussy and Gershwin. After asking the audience to sing two notes in a variety of ways, he contrasts the families of instruments that compose an orchestra, using excerpts from Prokofiev, Hindemith, Mozart and others to illustrate, and ends with Ravel's Bolero.
 8.3/10
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What is Orchestration
What is American Music?
Episode 2 - 2-01-1958
1h 0m
From Carnegie Hall, Bernstein discusses the origins and characteristics of American music. After an extended excerpt from George Gershwin's An American in Paris and a discussion of nationalistic and folk music, excerpts from compositions by American composers Edward MacDowell, William Schuman, Virgil Thomson, and others are performed. In closing Aaron Copland conducts parts of his own Third Symphony.
 7.8/10
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What is American Music
What Does Music Mean?
Episode 1 - 1-18-1958
55m
Leonard Bernstein told the television audience at the start of the first Young People's Concert: "No matter what stories people tell you about what music means, forget them. Stories are not what music means. Music is never about things. Music just is. It's a lot of beautiful notes and sounds put together so well that we get pleasure out of hearing them. So when we ask, 'What does it mean; what does this piece of music mean?' we're asking a hard question. Let's do our best to answer it." During the course of this first program the New York Philharmonic performs portions of Rossini's William Tell Overture, Beethoven's Sixth Symphony, and Ravel's La Valse.
 8.4/10
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Haven't Seen
What Does Music Mean
Top 5 Episodes
Top 5 Highest Rated Episodes
What Does Music Mean?
Episode 1 - 1-18-1958
55m
Leonard Bernstein told the television audience at the start of the first Young People's Concert: "No matter what stories people tell you about what music means, forget them. Stories are not what music means. Music is never about things. Music just is. It's a lot of beautiful notes and sounds put together so well that we get pleasure out of hearing them. So when we ask, 'What does it mean; what does this piece of music mean?' we're asking a hard question. Let's do our best to answer it." During the course of this first program the New York Philharmonic performs portions of Rossini's William Tell Overture, Beethoven's Sixth Symphony, and Ravel's La Valse.
 8.4/10
Set Title Status
Haven't Seen
What Does Music Mean
What is Orchestration?
Episode 3 - 3-08-1958
1h 0m
After brief introductory remarks, Bernstein conducts the finale of Rimsky-Korsakov's Capriccio espagnol and then explains what a composer must know in order to orchestrate music successfully. He compares the flute to the trumpet, and the clarinet to the viola, with examples from Debussy and Gershwin. After asking the audience to sing two notes in a variety of ways, he contrasts the families of instruments that compose an orchestra, using excerpts from Prokofiev, Hindemith, Mozart and others to illustrate, and ends with Ravel's Bolero.
 8.3/10
Set Title Status
Haven't Seen
What is Orchestration
What is American Music?
Episode 2 - 2-01-1958
1h 0m
From Carnegie Hall, Bernstein discusses the origins and characteristics of American music. After an extended excerpt from George Gershwin's An American in Paris and a discussion of nationalistic and folk music, excerpts from compositions by American composers Edward MacDowell, William Schuman, Virgil Thomson, and others are performed. In closing Aaron Copland conducts parts of his own Third Symphony.
 7.8/10
Set Title Status
Haven't Seen
What is American Music
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