Edwardian Farm

It's July and the team face their busiest month so far on the farm. It's time to bring in the cherry harvest with the help of their Dartmoor pony Laddy, and enjoy a cherry feast to celebrate. Historian Ruth Goodman tries her hand at salmon netting, while archaeologists Alex Langlands and Peter Ginn take drastic measures to save their potato crop from being destroyed by blight. Alex goes to an Edwardian school room - complete with Edwardian discipline - to recruit a traditional rural source of cheap labour: children. Ruth learns how to make a bathing suit out of wool, and there is a rare opportunity for a day away from the farm, as the team go on a church outing to the seaside.

It's May and, with Empire Day approaching, a very special boat comes to the valley. The paddle steamer Monarch is arriving: one of only three in the country that are still operational. It's the first time such a vessel has arrived at Morwellham Quay in 80 years. Back in the Edwardian period, thousands of tourists began coming to the Tamar Valley by paddle steamer every summer. The combination of reduced working hours and greater mobility encouraged a new form of tourism - day-tripping. Workers from towns and cities like Plymouth flocked to rural spots like Morwhellham Quay for festivities. Local farmers cashed in on the visitors, selling them cream teas, fresh fruit, postcards and anything else they could think of, and also used the steamers to send their produce to market. So historian Ruth Goodman and archaeologists Alex Langlands and Peter Ginn pull out all the stops to put on a party for the tourists: they've got to milk a cow who has never been milked before, take lessons in traditional clotted cream making from the instructors at a 'travelling dairy school' and learn to make a special Devon accompaniment to cream teas - the highly popular 'cut round', ie a Devonshire version of a scone. On top of that, they must harvest their strawberries to get them to market on the paddle steamer. They must also come up with more things to sell: drawings of the Tamar Valley, bouquets of flowers and ice cream - not easy to make when you don't have a freezer.

Spring sees the daffodil harvest, accompanied by a rush to get the flowers off to the train station so they can be delivered to towns and cities across the country within hours of being picked. Alex and Peter Ginn go to Dartmoor for the annual pony trek, and use the occasion to purchase one of the beasts for the farm. However, before their new pony is fit for work, he needs to be trained, and the farmers hire American horse whisperer Mike Branch for the job. Meanwhile, the arrival of new lambs is followed by a pleasant surprise for Ruth in the run-up to Mother's Day. It is March and Ruth Goodman, Alex Langlands and Peter Ginn greet the long-awaited arrival of spring. It is time to bring in the daffodil harvest. During it's heyday in the early 20th century, the Tamar Valley was the largest producer of early daffodils in Britain - the result of the region's mild climate combined with the arrival of a railway, which meant produce could be delivered to towns and cities across Britain within hours of being picked. The team takes their daffodil crop to the train station and gets to grips with the workings of the Edwardian steam-powered railway system. Ruth's daughter, Eve, arrives on the train to spend Mothering Sunday on the farm - an important occasion in the Edwardian calendar. For the many daughters who worked away in service, it was the only time in the year when they could get time off to return home. Alex and Peter fertilize the potato crop - which requires 10 tonnes of well-rotted horse dung. They also go up to Dartmoor for the annual pony trek - a time when wild ponies on the moor were rounded up. They select a new pony for the farm. The pony needs training before he's fit for work and Mike Branch, a specialist trainer from Tennessee, arrives. He's following in the footsteps of American farmer John Solomon Rarey, who in the 19th century found fame and fortune in Britain with his revolutionary method of taming wild horses. Instead of 'breaking' the horse physically, he used the technique now known as 'horse whispering'. After a bumper daffodil harvest and having seen all the ewes successfully give birth to their lambs, the team are in high spirits for the celebration of Easter - which means feasting, a special church service and surprise for Ruth.

Archaeologists Alex Langlands and Peter Ginn go down a copper mine, just a few hundred yards from their cottage, which was once the major source of Morwellham Quay's wealth. In the 19th century the largest deposit of copper in Europe was discovered in Devon. And the mining industry made Morwellham the busiest inland port in Britain. In the latter half of the century rising costs and cheap foreign imports put the copper mining industry into decline. But resourceful Devon farmers found other ways to extract income from copper - such as 'fossicking' (literally scavenging by breaking up rocks overground) and building precipitation tanks which extracted copper deposits from the water which flowed out of the mines. Meanwhile, historian Ruth Goodman learns the art of lacemaking, visiting the town of Honiton which became world famous for its lace, renowned for its beauty, delicacy and intricacy. Once half the inhabitants of east Devon were lacemakers. The boys also go tin mining in Cornwall, an industry which survived until the end of the 20th century when the last mine closed in 1998. But it's a gruelling trade, full of risks. They drill blast holes by hand and get to grips with tools such as the grimly nicknamed 'the widow-maker'.

Archaeologists Alex Langlands and Peter Ginn and historian Ruth Goodman are in Morwellham Quay in Devon - once home to one of the busiest ports in Britain. They will be attempting to bring it back to life as it was in its Edwardian heyday. It's November and to prosper as Edwardian farmers, Alex, Peter and Ruth need to get to grips with the technologies of the age and use Edwardian science to set up an exciting new venture on the farm. Alex and Peter want to grow oats, essential as feed for their livestock, and potatoes, a reliable source of income. But first they must plough the land. Most Edwardian farmers still relied heavily on horse power, but new technology was on the horizon. A travelling salesman makes a dramatic entrance bringing a piece of the state-of-the-art machinery from the Edwardian age - the world's first tractor, the Ivel. Ruth prepares for the arrival of the farm's pigs by restoring the farm's pig sty privy - an ingenious construction combining a pig sty with a lavatory so that pig waste and human waste could be composted in one place. After introducing the pigs to their new home, Ruth grooms them. Peter embarks on building a trout farm and populating it by using revolutionary fish-breeding techniques that were new to Devon's Edwardian farmers. And Alex wants to maintain the farm's hedgerows - but first he'll need to learn how to forge a Devon billhook using water-powered technology. After all their hard work, Ruth cheers the team up by making sloe gin and acquiring an Edwardian musical novelty - a gramophone.

In September they begin with the basics. They set up home in one of the cottages, where the first task - after cleaning - is unblocking the chimney so they can get the range working in order to cook. They prepare for the arrival of their first livestock - a flock of sheep and a ram called Cyril, and Ruth cheers up the cottage by making a rug out of rags. And she cooks her first meal on the range - a sheep's head stew. Alex builds a hay rick to store feed for the animals over winter; while Peter heads to Bodmin moor to carve a stone feeding trough. And they must plant crops. The high acidity of the soil makes it infertile for growing crops, so the top priority is neutralising the acid with fertilizer - and for this they must make deadly quicklime. They will need literally tonnes of the stuff. It is a hazardous and gruelling - but essential - job.