‘Batman: Caped Crusader’ carries the spirit of ‘Batman The Animated Series’, but doesn’t quite capture its heart.


I was really looking forward to this show, and after finishing watching all 10 episodes of the first season, it has ended up being a bit of an interesting mixed bag for me. I really wish the promos and the marketing had done a better job at communicating that ‘Caped Crusader’ is a complete reimagining of most characters, apart from Batman, instead of focusing on the character of Penguin alone, because that would certainly help someone knowing what to expect going in. The show is not so much the spiritual successor of ‘Batman TAS’ but more of a completely new thing, taking place in a 1940s noir Gotham city, with most characters being given completely different backgrounds, origins, and motivations. And honestly, ‘Caped Crusader’ works better if you approach it not expecting to see the same characters as you know them from most of their comic book iterations.

The show definitely has more than a few positive elements: more diversity, characters being openly queer, Barbara and Jim Gordon being Black. Plus, it's a pleasant surprise to see diverse body shapes, especially among female characters in a Bruce Timm production. It was also nice seeing Renee Montoya and Barbara Gordon take so much center stage, even if Barbara isn’t Batgirl (yet?) in this version, and she is now a lawyer, she is still given a lot to do. Giving these two characters the spotlight is certainly one of the highlights of the show.

One has to respect that ‘Caped Crusader’ is very much doing its own thing, and taking a bold approach in reimagining some of the core elements of the Batman mythos. The show exists in its own 40s noir continuity, and makes a clear effort to reinvent most villains in a way that fits that narrative, with some legitimately interesting takes on the characters. Clayface and Harley Quinn specifically have some significant changes to them and their backgrounds. For Harley in particular, it’s interesting seeing her existing in this universe independently of the Joker, being motivated by something else completely. At the same time, not all changes work so well. This version of Selina Kyle, for example, which goes for the spoiled rich girl angle, is probably the most unlikeable depiction of the character I have ever seen. She mistreats her maid (and keeps her unpaid while she spoils herself and her cats), she lacks any sort of sympathetic personality traits, and she steals someone’s cat for no reason then abandons it on a rooftop to run from Batman. Generally, even her fondness of cats overall seems shallow and weird, rather than genuinely affectionate.

The show also pretty much goes for a version of the Batman who is in his early crime-fighting stages, and goes out of its way to highlight that he still has a lot of anger issues and he has not found his heart and his empathy just yet. Which is not a new approach, but the more human and vulnerable version of Bruce/Batman that Kevin Conroy so excellently portrayed is undeniably a more layered and intriguing depiction of the character. There’s only so much a story can do with a monotone, brooding Batman. Hamish Linklater and the rest of the cast all deliver some great performances as their respective characters, but not every character feels as deep and nuanced as the ones in the original Batman TAS. It’s the reason why both Barbara Gordon and Renee Montoya shine in the show, because they are the characters acting as the heart of the story against a one-sided, often unempathetic Bruce.

Perhaps my biggest gripe with the show is the way it changes Bruce’s relationship with Alfred, in order to highlight his coldness and how closed up he still is. I just cannot get behind a Bruce Wayne who calls Alfred “Pennyworth” instead of using his first name, in the same way a superior officer would address a subordinate, and is mostly impersonal and even abrasive towards him, no matter what plot point this eventually serves. It just taints the very specific fatherly bond between the two characters, removing something that should have been there from the start. The relationship between Bruce and Alfred works better when Alfred is established as the catalyst who has helped Bruce keep hold of his human, kind side because he was the one being there for him during the worst events of his life. Any other dynamic just doesn't have the same impact.