Much like Rise, this is a solid entry that feels ripe for sequels to up the ante with the foundation built here. Noa has a compelling if more traditional coming of age hero’s journey than Caesar. Proximus is fun if not on the level of Koa or the Colonel. There’s a sinister curiosity to him, and I like the idea of twisting the well intentioned words of the past, turning ideals into fanaticism. It’s true to life, but like many of the themes here a little underexplored. The community taking him down when he stands alone with the power of their tradition is a great moment, but could’ve been built up more. Macon as Raka was a standout, very compassionate and thoughtful, every word and action thought out. He drew the eye every time he was on screen.

Freya Allan is also a highlight. She’s not the usual human ally or villain but an anti hero. You’re as conflicted as Noa is about whether she can be trusted. Her motivations are sympathetic, but the depths of what she’ll do to achieve her goals go deeper and deeper. It’s left ambiguous whether she’s go further, and whether she thinks getting humans back to where they were means sending apes back. There’s an entitlement and condescension to her- it was humans’ first, apes weren’t meant for this. As if it’s her right to decide. But there’s a pain and heartache to it, even a touch of self loathing. It’s a deft line Allan walks, and the ambiguity gives a lot of room to build with for sequels.

And of course, the visuals are great. The CGI and motion capture are so lifelike, and let the actors shine. And there’s some gorgeously lush environments. It’s a feast for the eyes. Kingdom is a worthy entry in the series, if not an exceptional one, but I’m optimistic that like Rise they can springboard off this framework to deliver even better and more ambitious entries.