Based around the true story of the appalling murder of the young Emmett Till in a racially divided 1950s USA, this delivers a truly powerful performance from Danielle Deadwyler as his mother. A woman who becomes distraught, angry and determined. Determined that those who killed her child are brought to justice. The history, sadly, tells us just how the judicial process of Mississippi back then was just as bigoted as the vast majority of the white folks who treated African Americans as little better that labouring cattle. This film is well put together, with plenty of attention to the aesthetics of the scenarios. What helps is stand out though, is the lead performance. It is gently complemented by a supporting cast that includes the engaging young Jalyn Hall as the optimistic and decent young man, but it is really all about Deadwyler and her nuanced and thought-provoking effort as the mother who funnels her distress and despair into something positive. For her, and for a broader society at large that was either unaware or just indifferent to the practical, political and downright dangerous obstacles faced by those of a different colour if they even thought about staring from the prescribed social "norms". Chinonye Chukwu keeps the pace of the story tight and well focussed - there is little room for sentiment or melodrama in this drama. There's a slide at the end that rather sums the whole thing up - the anti-lynching legislation that bears this young man's name was only implemented in 2022!