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Through the Fire Poster

Through the Fire

Movie
2018
1h 56m
French
Drama
Franck is a firefighter in Paris. He saves people. He lives at the station with his wife, who is about to have twins. He’s happy. During a call out to a fire, he puts himself in danger, to save his men. He’s going to have to learn to live again and accept to be the one being saved, this time.
Rating
WATCHMODE
7.1
IMDB
Through the Fire (2018) on IMDb
CRITIC SCORE
n/a

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Pierre Niney
Franck Pasquier
Anas Demoustier
Cécile Pasquier
Sami Bouajila
Dr. Almeida
lisabeth Commelin
Michèle Pasquier, Franck's mother
Calypso Buijtenhuijs
Corporal Fameaux
Mostepha Bouabane
Master Corporal Mouss Thouvenot
Yannig Samot
Physiotherapist
Sbastien Corbel
Chief fire warden
Loc Risser
Rescue center Captain
Steve Bernard
Rescue center Lieutenant
Nicolas Wanczycki
Rescue center Captain
Rachel HuetBayelle
Social worker
Franois Camus
Pôle Emploi representative
Annie Mercier
Annie, homeless woman
Rosa Bursztein
Woman at reception of music school
Alice Saignes
Lily as a child
Louise Saignes
Maya as a child
Mickal Mose
Firefighter on exam
Alexandre de Sze
Doctor firefighter at the accident
Directed By: Frédéric Tellier

Featured Comments/Tips

Saint Pauly says...
6 years ago
Comment contains spoilers
Show?
Like sex with a drunkard, [spoiler] there's 90 minutes of struggling to reach a quick happy ending. [/spoiler] Making a film about suffering is easy, all you need to do is take a tragic situation (like a fire fighter who's severely burned on the job) and film how difficult it is for him afterwards. It helps if he's married and has children. Twins. Then have at least one person cry in every other scene. Et voilà. The actors here did a stupendous job (especially Pierre Niney as the lead), but the script has absolutely zero surprises, which makes this film less heroic than the man it's about.
Like  -  Dislike  -  Comment  -  100
miguelreina says...
4 years ago
A drama about self-improvement. Fire as destruction, but also as rebirth. The director emphasizes the scenes in which he wants to provoke emotion in the viewer (he also composes the soundtrack). Cinema for a submissive audience. It would have been more interesting to trust Pierre Niney's ability to connect without the need for sentimental underlining.
Like  -  Dislike  -  Comment  -  000

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