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User Reviews for: The Way Back

msbreviews
/10  5 years ago
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I’m not the greatest fan of inspirational sports dramas, but I also never disliked one. They all follow this storytelling formula that everyone recognizes, but it’s always successful. The protagonist is a miserable human being due to some tragic past. He gets another shot at life, usually an underdog situation, and he ultimately overcomes whatever challenge is thrown at him, including his addictions if he has any. Everyone lives “happily ever after”, and the viewer leaves the theater with a smile because that’s how it makes us feel.

It’s incredibly easy to root for an underdog trying to raise its level and to reach something it never believed in. In The Way Back, the basketball team is awful, but Jack teaches them not only how to play better, but how to be a better *team*. Then, it’s just like the synopsis: a win here and there gets everyone back on track, and it’s very entertaining to watch these young kids “grow up” in every possible way. As a sportsman myself, several little details help me enjoy this type of movies even more.

However, it’s a straightforward variation of the same cliche, predictable story… until one point. There’s one genuinely surprising development I didn’t see coming. I don’t know if it was due to my “defenses being down” or if Gavin O’Connor and Brad Ingelsby really did a great job at hiding it until the right moment, but it definitely worked.

The lack of character-building regarding the secondary ones is probably my biggest issue aside from the formulaic screenplay. There’s one young kid that still has some sort of an arc, but it never gets the deserved consideration. It’s a very protagonist-centered film, and there’s nothing truly wrong with that, especially when Ben Affleck delivers one of his career-best performances. I left him for last because I do believe the whole movie succeeds due to his impressively captivating display.

A lot of people talk about how Affleck’s own life and his past struggles with addiction make this a personal interpretation in the sense that he’s just portraying himself. Some people even diminished his performance by saying that “it’s easier to represent ourselves than a fictional character”, which I couldn’t disagree more. It’s an arduous task interpreting a version of our personality, let alone a very somber, sad part of it. It’s not only an enormous acting challenge but also a terrifying personal test.

I digress. Honestly, I couldn’t care less about Affleck’s personal life, or anyone’s for that matter. People should stop trying to bring external themes to reviews, it’s one of the first principles film critics learn (but have unfortunately forgotten with time). I don’t know if his experience with addiction helped him with his performance or not, but he looks incredibly committed to his role. He elevates his character, and he carries the whole movie on his shoulders. Brilliant, emotional, and very realistic interpretation of someone dealing with depression, frustration, anger, and an addiction issue.

All in all, The Way Back is an inspirational sports drama that follows the genre’s stereotypes and formulaic storytelling, but it’s still very successful in its execution. The secondary characters lack development, but there’s nothing wrong with a protagonist-centered story as long as the main actor delivers an exceptional display. Something Ben Affleck does in an emotionally powerful manner, delivering a genuine portrayal of someone with a tragic past and lots of personal issues. I believe it’s one of his career-best performances. Jack might follow every storyline that ever existed in this genre, but Ben Affleck is reason enough to give Gavin O’Connor’s flick a go.

Rating: B
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Keeper70
/10  4 years ago
Finding the Way Back, originally called The Way Back but changed probably to stop confusion with several films called The Way Back or the excellent The Way Way Back (it certainly has no similarities with that film) is a reasonably entertaining film but I cannot say it is enjoyable or made to be. You are not going to get many laughs in a film that superficially deals with a losing basketball team but is mainly about addiction and unrelenting grief and guilt. Heavy stuff and overall handled reasonably well although crammed conveniently into the running time.

Affleck gives a good turn as the heavy-set drunk even more poignant due to the fact he apparently had just come out of rehab again from his own problems with alcohol so you have to say at some level this was a brave move by him, and he must have known exactly how his character felt and behaved, so who am I criticise the veracity of any of the alcohol-infused set pieces?

As a sports film there is nothing particularly bad about it but there is also nothing original. The team does seem to go from hopeless losers to unbeatable behemoth rather too quickly and we get all the usual characters in the line-up, well played by the young actors, but they are all present and correct and apart from Brandon the quiet one, they are just sketches in the story of ‘Jack’. Al Madrigal turns in a subtle display as the mathematics teacher assistant coach and along with the team Chaplin, Father Whelan it would have been good to have a look into the effect Jack’s life had on them and how they behaved but this was very much surface skim for these characters.

There is no doubt that Finding the Way Back definitely tugs on your emotional strings maybe a bit too spot-on for my liking, but it does it well and skillfully. You are never asked to like Jack and never asked to forgive him for his destructive addiction, but you are asked to understand why he is a mere shell of the man he used to be.

Although the sporting cliches, including the dramatic last game finale play out with nothing new added the film does try to subvert the usual sugary endings and you are left with nothing particularly tied up in neat bows at the end.

All in all, Finding the Way Back is a perfectly good piece of cinematic entertainment, it is nothing new, and breaks no emotional tear-jerker rules but also what it does do it does competently well and better than many in the same lane as it. Affleck is a fine ruined man, he looks the part, only smiles and laughs when he is drunk and likes to chug when he is having a shower. Having known many high-functioning drunks in my life I can say the look is accurate including what was known around where I lived as ‘Wayne Douglas Jeans’ wherein the crutch of the jeans hangs around down by the wearers knees no matter how the jeans are actually worn, somehow being tidy and scruffy at the same time. The supporting cast do good work but is given little to nothing to do with the two main female roles Janina Gavankar (ex-wife) and Michaela Watkins (sister) acquitting themselves well in roles that offer nothing groundbreaking or different.

The director, writer and main actor have tried to make a story that gives us an insight to the desperate world of self-destructive addiction, life-crushing tragedy and redemption and in the main have succeeded it is just that as a sports-themed film and redemption show it offers little that is new, just some grittiness and showcasing that Affleck on his day is a top actor.

Recommended if you like these types of films, with no laughs, and not if you had your fill of them. The choice, as they say, is yours.
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JPRetana
/10  2 years ago
The Way Back (2020) is a return to form for Ben Affleck following an aimless second half of the previous decade – specifically his ill-advised stint in the DC Universe. In this drama directed by Gavin O'Connor and written by Brad Ingelsby (co-writer of the excellent Out of the Furnace), Affleck plays Jack Cunningham, a former high school star basketball player turned alcoholic construction worker who reluctantly accepts a coaching job at his alma mater.

How do we know he's an alcoholic? Well, drinking beer in the shower is certainly not a good sign (and there are many others), but it’s mostly Affleck, who not only looks and sounds but for all intents and purposes is the part, turning in a cathartic, demon-exorcising performance.

The central portion of the film is by design an abridged version of every high school basketball movie ever made. It’s done competently, with a knowledge of and appreciation for the game of hoops, as well as a sense of humor, but it’s nevertheless an afterthought; it would also be a foregone conclusion, if the script had actually been leading up all along to that buzzer-beating, game-winning, hail Mary shot that shortly segues into a freeze frame of Jack’s triumphantly grinning mug.

Its Cinderella story – minus the fairytale happy ending – seems taken right out of many a Hollywood melodrama (because it actually is), but TWB is not – regardless of what All Movie or IMDb may tell you – a sports movie, nor is it about basketball like Hoosiers, or about inner city kids like Coach Carter; its scenes of on-court action and sideline banter, deftly choreographed and zestfully written and delivered but offering little new (other than comically pairing the Foulmouthed Coach with the catholic high school’s “team chaplain”), exist solely to make a point – and a very well made and well taken point it is.

This narrative shorthand serves an overarching character study into which the filmmakers have put quite a lot more thought and work, revolving around a man who seemingly drinks just for the sake of getting drunk, and then gradually pulling back to reveal the underlying causes for, and consequences of, his alcoholism. It is said that hitting rock bottom is the beginning of the road to recovery, and the film uses basketball to pull Jack up, push him farther down, and ultimately pull him back up again.
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