The Watchers marks Ishana Night Shyamalan's directorial debut, with her father, M. Night Shyamalan, serving as a producer. For her first feature film, Ishana adapts the book The Watcher into a movie. The story centers on Mina, a U.S. immigrant living in Ireland, who works at a pet shop. She is sent to the countryside to make a delivery, only to find herself stranded in the middle of a forest. Seeking refuge, she discovers an old building with three walls and a window. She meets three other people who inform her that she cannot leave because 'The Watchers' are always watching and keeping them there.

The visual style of the film is impressive, showcasing Ishana Night Shyamalan's potential as a director. The atmospheric setting of the forest and the eerie, partially ruined building effectively create a sense of isolation and tension.

Despite its strong visual elements, the story itself falls short. The plot feels longer than necessary, with certain elements that don’t always make sense. The pacing drags in places, causing the suspense to wane rather than build.

The acting is another weak point. The performances come across as stale, with characters making choices that often seem illogical and uninspired. Mina’s interactions with the other stranded individuals lack depth and emotional resonance, making it hard to connect with her plight. The other characters also fail to leave a lasting impression, contributing to the overall sense of disengagement.

The themes of isolation and surveillance have the potential to be compelling, but they are not fully realized in this film. The concept of being constantly watched by an unseen force could have been used to create a more intense psychological thriller. However, the execution falls flat, resulting in a narrative that feels disjointed and unconvincing.

Overall, The Watchers is a visually striking film that ultimately fails to resonate on a deeper level. While Ishana Night Shyamalan shows promise as a director with her ability to create atmosphere and tension, the film is let down by weak performances, a disjointed story, and lackluster character development. It’s a forgettable film that doesn’t leave a lasting impact. However, I am looking forward to seeing Ishana’s next directorial outing, hoping she can build on her strengths and deliver a more cohesive and engaging film in the future.