**THE CAWPINE OF ‘THE SUGARLAND EXPRESS’**


WRITING: 6
ATMOSPHERE: 7
CHARACTERS: 8
PRODUCTION: 8
INTRIGUE: 6
NOVELTY: 5
ENJOYMENT: 7



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**The Good:**

In terms of directing, The Sugarland Express is a success for Steven Spielberg, who knows how to direct the actors and cinematographers to make every scene dynamically interesting (close-ups, wide shots, layered shots). Coupled with John Williams' quirky score, the technical side of the film is great even by today's standards.

The car chases and shootouts are well-directed, giving this film a touch of western vibe. With this film, Spielberg proves he can handle smaller emotional scenes just as well as big and bombastic action sequences.

The soundtrack is surprisingly low-key for a John Williams score. This is no Star Wars or E.T. and its refreshingly different from what is usually expected from Williams.

The Sugarland Express feels like Bonnie & Clyde or Thelma & Louise on steroids; shit goes down from the very beginning and only seems to intensify as the film goes on.

Goldie Hawn and William Atherton feel like a natural, troubled couple united by a common wish to save their son. I particularly like Hawn's sass in a part surrounded mostly by white, middle-aged men. The way Hawn and Atherton go from pretty much hating each other to finding that long-forgotten love again is well-depicted throughout the story. And the way the both of them slowly bond with Michael Sacks' patrolman is sweet.

When the Poplin's become icons and attain more and more supporters, you can't help but feel that they must be simultaneously the best and the worst parents ever. That also makes the climax feel so much stronger.

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**The Bad:**

People talking on top of each other with Southern accents makes it difficult to follow some conversations.

There's quite a lot of pointless car wrecking and scenes that rehash previous things or otherwise fail to develop the plot somehow. Those make the middle part of the film in particular unnecessarily slow.

Despite a strong beginning and a satisfying conclusion, the script cannot carry the entire two hours satisfyingly and there were times where I felt that I wanted to just skip ahead.

While Goldie Hawn is great, her performance goes somewhat over the top at times and a little bit more on the screamy side.

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**The Ugly:**

Ending two movies in a row with the same shot is extremely lazy, Mr. Spielberg!

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**CAWPINE RATING: 6.71 / 10 = 3,5 stars**