Rate: zero

This is what happens when we build a house for a door (instead of building a house and then put doors in it); An exotic, dirty and cluttered movie. Dirty but not necessarily in the visual meaning but in the cinematic meant. The director does not know what he wants to do at all, the camera angles, the frames, the compositions and everything are completely in the air, he just knows he wants to beat capitalism but he does not know how and for this purpose, which is what He does not do well, he comes to the great art of cinema and insults it with this film. A film must first become a cinematic work and then speak, first a house must be built and then several doors must be left for it, it is not possible to throw an ideology in the middle and make a film around it, of course, if it is possible to call this film, a film! Symbolism and the use of symbols are correct when the director does not shout with every dialogue and every scene that this object is a symbol! The symbol should not be completely revealed to be a symbol. If he is going to make a symbolic film, he must first know how, then put signs in his symbols, not to turn the whole film into a bunch of ridiculous symbols. From one place, the director does not even remember what his goal was and enters another phase, which he thinks is a revolution. Not only he does not understand and show the revolution, but he forces his two main characters, who are not characters at all, to beat everyone so that they can only get food to the final stage! you are kidding! How do these movements represent revolution, leftism, and helping others? They go downstairs and beat everyone, and finally they feed their ridiculous symbol (the dessert) to the child and send him down to, for example, when she returns to the top floor, the tyrants become surprised! So what? what will happen! Did the film become a leftist film? Did it promote revolution and resistance? Did it help everyone and save them? Never. In general, it can be said that "Platform" is a disgusting, ridiculous and shameless film that insults both the cinema and its audience, and there is no cinematic or ideal value in it, and in the humblest case, even a slogan.