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The Lady from Shanghai

Movie
1947
1h 27m
NR
English
Mystery, Crime, Drama, Thriller
User Score: 
7.6
Critic Score: 
80
The Lady from Shanghai' Poster
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
The Lady from Shanghai Poster

The Lady from Shanghai

NR
Movie
1947
1h 27m
English
Mystery, Crime, Drama, Thriller
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Rating
WATCHMODE
7.6
IMDB
The Lady from Shanghai (1947) on IMDb
CRITIC SCORE
80

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Rita Hayworth
Elsa Bannister
Orson Welles
Michael O'Hara
Everett Sloane
Arthur Bannister
Glenn Anders
George Grisby
Ted de Corsia
Sidney Broome
Carl Frank
District Attorney Galloway
Lou Merrill
Jake Bjornsen
Harry Shannon
Cab Driver
William Alland
Reporter (uncredited)
Jessie Arnold
Schoolteacher at Aquarium / Courtro...
Wong Artarne
Ticket Taker (uncredited)
Rama Bai
Townswomen (uncredited)
Jack Baxley
Guard (uncredited)
Steve Benton
Policeman (uncredited)
Wong Chung
Li (uncredited)
Eddie Coke
Policeman (uncredited)
Tom Coleman
Courtroom Spectator (uncredited)
Al Eben
Policeman (uncredited)
Edythe Elliott
Old Lady (uncredited)
John Elliott
Court Clerk (uncredited)
Charles Ferguson
Man in Courthouse (uncredited)
Joseph Granby
Police Lieutenant (uncredited)
Directed By: Orson Welles
Written By: Orson Welles (Screenplay), Sherwood King (Novel)

Featured Comments/Tips

soonertbone says...
11 months ago
Fascinating movie. There are flashes of brilliance, as you'd expect, and it feels like the bones of something really magnificent are there. Then at the same time there are so many bizarre elements that don't work that it feels like a failure, if only compared to what I imagine it could have been without studio interference. Plot elements don't add up, multiple characters make some truly incomprehensible accent and line reading choices, and the courtroom scene is supremely baffling. But I actually felt like Welles himself was the biggest missing piece: Welles as an actor and a person is just too intelligent, too knowing, to play a character so hapless and foolish. One reason Kane worked was because Welles has the aura of someone who is perpetually the smartest person in the room--Michael O'Hara, as he repeatedly tells us, is definitely not. And unfortunately, Welles' acting ability isn't able to transcend the persona.
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buddhalou says...
6 years ago
Damn... that hall of mirrors scene! Great film, but like some of Welles' others, I can't help but wonder just how much better it would have been if he hadn't been hamstrung by the studio and circumstances beyond his control. The fact that he managed to make some incredible films despite the reported incidences of studio interference is a testament to his genius.
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Juliosoft says...
10 years ago
After many years without seeing her I still love it shows who whas his director
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Jay Shuai says...
2 years ago
Hmm… not particularly a fan of film noir in general and there isn’t much to distinguish this from the numerous others made during the 40’s, apart from the mirror scene and Welles’s awful Irish accent. Perhaps it would have been better without all the studio interference. It’s not bad. It’s fine. Just not outstanding in any way.
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Featured User Reviews

CinemaSerf
2 years ago
This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She More
Like  -  Dislike  -  Comment  -  000

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