More so than either of the other Hobbit films, the titular character is virtually a supporting player in the film and, whilst in the previous two films, the expansion of the book did not overwhelm the central story it was based on, it is here that Jackson's desire to frame this trilogy as a prequel to the Lord of the Rings is far more prominent. Perhaps the lack of material left to cover from the book is the reason for this ( the rousing opening sequence held back for this film would clearly have played equally well as a finale to the previous entry ). As an adaptation of the tone and focus of the book, this is as far removed as you could get and it is evident that two films would have been more than sufficient. There is equally a sense of déjà vu in some scenes in the build-up to the battle that is reminiscent of Return of the King.

Yet the book is its own thing and as a film and finale to the previous entries, this is a fitting conclusion and a largely successful segue into his Rings films. Importantly, the elements that are from the book itself are the strongest part of the film - Freeman again is excellent as Bilbo and his scenes with Armitage as Thorin are certainly the best and most emotional moments. This is as much Thorin's film as anyone else and the resolution to his arc is well handled. Despite initial similarities to the finale of his Rings trilogy, this becomes less of an issue as the film progresses and Jackson manages to create a near hour long action sequence that never becomes confusing or repetitive. If there is a one criticism that stands out, it is that some characters are lost amidst the sheer number fighting for screen time, but this has been evident throughout the Hobbit films, especially with the Dwarves, and Jackson wisely chooses to keep the focus on those characters that made a impression in the previous instalments. Elements that tie the films more closely to the Rings trilogy are cleverly done, even though they do feel a little episodic in nature, with cameos from characters that play a much more prominent role there. Jackson's decision to include Legolas and create a new character in Tauriel may annoy book fans, but it has a strong emotional pay off here and serves as an interesting personal backdrop to the character of Legolas. If nothing else, it is fun to see Jackson create another action beat for the character. The film is beautifully shot throughout and Jackson's penchant for sweeping camera moves capture the stunningly realised environment.

Equally, it is difficult to review this film without looking at it now in the greater context of the six film saga that it has become, and this is some achievement for Jackson to have accomplished. Fellowship of the Ring remains the strongest film ( and fittingly it is probably the one that sticks the closest to the original story ). But, Jackson has created a series of films that will be the benchmark for future fantasy films and this final entry can hold its own with the rest.