Now this is a very fun movie. It's a classic argento in every since of the word, it has a complex mystery and an insane final act. The best part of the movie was John Saxon, hottest man of the 70s, killing that fedora.

I'm just now digging into Giallo and so far I like the films I've seen. This one is pretty good. It is a mix of slasher film and murder mystery as the killer is unknown, and there are many theories through out on who it might be.

As the body count rises and new evidence is uncovered, the thought on the true killer shifts.

The pacing is well done and the move pushes along at a good pace.

Alright, this was excellent! I haven't watched a lot of Dario Argento's work (I saw Suspiria and Phenomena), but this was definitely the best of him that I have seen so far. I genuinely loved the misdirection and I was puzzled till the very end about what exactly what was happening. There are small clues in the editing and what is shown that kind of give you hints, which I really love. The soundtrack is just awesome and the tension building through the use of slow panning shots are great. And well, there's a lot of violence, but it did not feel over the top. Kitschy eighties style? Absolutely. Big fan of the fact that it was set in Rome and yet none of the historical buildings were shown. We only see modern architecture and a lot of angular shapes, which give it this post-futuristic feel and look, also making it feel outside of its time. I enjoyed it!

80s flavored giallo shots is my favorite dessert.

Not my favorite Argento. I don't even know why some think it's gory.

Another fantastic and gorgeous giallo from Argento. One can say that thematically there are some cheap tricks pulled, but it's for the purpose of style. And this movie is beautifully constructed. Up there with his best.

My second Argento film. This gialli is a really engaging piece of work. It's suspenseful, stylish, sleazy, bursting with atmosphere and a mystery that unwind until the very end. I was legitimately intrigued and on the edge of my seat pretty much the entire runtime. One of the main things I love about this is the sheer ridiculousness of literally everything. And despite that, it still does a very great job of keeping things on edge with some interesting twists which doesn’t exactly keep you guessing but mostly hit their mark and should entertain most right to the end. Obviously, there’s plenty of awesome visuals and the synth-heavy score is just as awesome.