If I kill you I am bound for hell. It's a price I shall gladly pay.

Solomon Kane is directed by Michael J. Bassett and Bassett adapts the character of Kane from the magazine character created by Robert E. Howard. It stars James Purefoy, Rachael Hurd-Wood, Pete Postlethwaite and Anthony Wilks. Music is by Klaus Badelt and cinematography by Dan Laustsen.
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It's early 1600 and English mercenary Solomon Kane (Purefoy) is informed by the Devils Reaper that his wicked ways have damned his soul for eternity. Not wanting to spend eternity with old Nick and all his hellish instruments of torture, Kane escapes and renounces violence and converts to Puritanism - that is until a wicked turn of events in his life sends him on the violent road to redemption.

Solomon Kane was created by pulp writer Robert E. Howard, who would a few years later also create Conan The Barbarian, safe to say then that swords and sorcery was at the time of his life in the 1920s/30s on his mind. It's also safe to say here that if this type of genre swish and swash is not your thing then this will definitely not convert you into being someone who suddenly does. However, fans of such fare are in for a treat, where not for the first time a picture that bombed at the box office - and got a delayed release in The States - has broken free of supposed stinker damnation to become a firm cult favourite to like minded souls.

Kane is our anti-hero, a real hard dude who ends up living by the fight evil with evil mantra. In the hands of Purefoy and his director, Kane is moody personified, the whole film dishing out ladles of brood and dark thematics as religion and dark arts come under the microscope. The action is well choreographed, plenty of blood letting and head loping, accompanied by swivels and lurches. Imagery is potent - such as graveyards and reaper lairs, while Bassett firmly believes in soaking his cast in mud and rags, all for realistic payment.

Some popular actors slot in for some support work, which is a bonus, and although the finale is not without problems (main baddie all to brief, the big showdown likewise), this rounds out as an imaginatively and thrillingly mounted period genre piece. 8/10