Told by way of a really potent (and well scored by Morricone) retrospective, this sits us down and takes us through a forty year period in the life of the now down-at-heel "Noodles" (Robert De Niro) and of the development of the city of New York. The contents of an old briefcase serve as an aide memoire as the retrospective illustrates just how he and three of his childhood friends decided that the gutter was not for them, and that using the "system" to get on was the only way. Prohibition, violence, crime, brutality were the currency back then and "Noodles" learned not to have scruples about such things. Love, romance feature too - choices, compromises and tragedy all feature as Sergio Leone and De Niro immerses us in the characterful and emotionally charged chronology. The film looks great, the attention to detail is superb, and a really strong supporting cast help offer us s sense that we are actually there for much of the time. Living and breathing the squalor, the danger, the opportunity and perhaps, the inevitability, of the paths these kids took in a the 1930s. It is very long, but that's effective rather than dull. It allows the characters to develop, to breathe and then to disappear - only, perhaps, to reappear in a different guise later on. Ageing is also a factor here too - just as they rose, others rise too with differing standards and ethics - their sense of loyalty and integrity not quite marrying up! No Oscar nominations which is really rather odd - this is easily one of the best, most authentic-looking, depictions of the rise of NYC that cinema has ever delivered. Director's cut on a big screen if you can - it helps focus the attention, shows the cinematography to best effect and helps appreciate just how vast Leone's vision was.