Even as someone who rates this so highly, it is easy to see why so many may be put off. From the opening scene, this is a film utterly committed to its theatrical style and format, making no concessions to those who may be put off by the excess and editing style that dominates the opening scenes and many that follow. And yet this is not a film out of control - far from it, the format perfectly suits the environment within which this musical takes place and each of these moments serves the story and stage format that Luhrmann is trying to adhere to. Nor is it these scenes that remain with you at the end - fortunately for a film whose essential message is about the power of love, it is in the central love story that the film’s greatest strength lies. Ewan McGregor and Nicole Kidman have yet to better their performances here and one would have to be a hardened cynic not to be swayed by their romance. Each of their musical moments together are beautifully played and so committed are they to playing their romance straight, that there is a genuine feel to their chemistry. It is also in these scenes where Luhrmann alters the frenetic style, allowing for these quieter moments to shine. The choreography is superb and the film is edited to within an inch of its life, the highlight of which is a stunning rendition of Sting’s "Roxanne" to a tango (though it is equally likely that the film’s version of Madonna’s "Like A Virgin" will linger in the memory too, but for different reasons). Luhrmann's finest film to date.