Wow, but the quality of the stop-motion animation in this is breathtaking. On a big screen, the detailed movement of characters and settings alike; the clever use of light and shade look superb - it's really quite an astonishing piece of art to enjoy. The story itself is almost incidental - it centres around a gas-mask clad human lowered into a dystopian environment of ruins and hideous mutations where life and limb are at risk every step it takes edging through this murderous and perilously dark and dangerous environment towards a central tower from which, we can safely assume, the root of this brutal evil emanates. As the adventure progresses, we begin to appreciate the story is not so much about the grimy and hostile scenarios, but about the nature of whatever is in this tower that presides, perhaps even thrives, over this abject misery. It is frequently peppered with some deliciously cruel dark humour - things get squashed and squished with a ruthlessness that isn't really menacing, but actually quite entertaining as his trek through this industrial maelstrom continues. I reckon this does need a cinema - so much of the skilful artistry won't really work so well on a television, however big. It has a great, deconstructed, persevering style to it that surprised me - and i did quite enjoy watching.