Kwaidan

I don't know if I've ever seen a film more beautiful than this one. A totally unique artistic vision is coupled with spectacular sets, paintings, costuming and architecture. The segments in this anthology are ghost stories based on Japanese lore and culture from days long past. "Kwaidan" may test the patience of those intolerant of slow burn storytelling. This is not going to be a scary Horror film for those desensitized by the genre. There's no jump scares and no gore, just atmosphere and a sense that you're almost watching something from another world.

Perhaps this is paradoxical, but this felt like theater in movie form. Not a recording of an actual play, but the artistry and soul of theater captured into a movie and taking advantage of the newer form while using the lessons of the old. It's atmospheric and considered in every frame, and there are more breathtaking shots than I could name. The set design of the second story especially stands out in its surrealism. The snowy sky's clouds looking like eyes, watching as if to make sure this man keeps his promise, or the beautiful hues of the sunset scenes, highlighting the tenderness. At times, they looked like paintings or photographs, they're so carefully framed. The actors too stand out, nailing every look of horror or malevolence. Special credit to Keiko Kishi, who makes a upward curl of the lips absolutely chilling. Kwaidan more than anything feels like a storyteller, considered and experienced, relaying his tales around a cup of tea. It's comfortable, engulfing, and unforgettable.