Koyaanisqatsi

Without any single line of words, this movie's strength lies on cinematographic arrangement, musical composition, and viewer's own interpretation. Ron Fricke done a terrific job (especially on his city nightscape) and Philip Glass's composition is wonderful. However, viewers' unfamiliar with the film's narrative (post-capitalist critiques on technology) might find themselves' confused with a long still-shots, slow-motions, and fast-forwarded scenes the movie delivers. I personally need to take some time to connect the dots between the scenes presented. The lack of dialogue, though, gives the movie more chance to be re-watched, as it presents an open-ended interpretation - which seems to be the director's intention. And if you can't watch it for the narrative, at the very least you can watch it for the wonderful music.

The barrage of image and sound that assaults your senses is not likely to be forgotten any time soon. It's hard to describe what the film is about or represents, as everyone can take away something different. Point is, you SHOULD see this movie.