_Joy_ directed by Ben Taylor, delves into the overlooked story of Jean Purdy, a key figure in the creation of in vitro fertilisation (IVF). The film not only brings to light Purdy's often ignored contributions but also serves as a critique of the long-standing marginalisation of women in scientific breakthroughs. It aims to reclaim a narrative that has historically sidelined the role of women in such significant achievements.

Ben Taylor's direction chronicles the groundbreaking development of IVF with an approach reminiscent of a sports film. Though the audience knows the outcome—over two million children have been conceived via IVF since 1979—the film immerses you in the highs and lows, triumphs and failures, leading to the birth of Louise Brown, the world's first "test-tube baby."

Thomasin McKenzie's portrayal of Purdy stands out, adding depth to a character who faced significant professional and personal challenges. Bill Nighy offers a memorable turn as surgeon Patrick Steptoe, blending compassion and wit. At the same time, James Norton brings warmth to the role of scientist Robert Edwards. Together, the trio captures the tension, camaraderie, and determination needed to challenge societal and scientific norms.

The film's strength lies in its focus on the procedural breakthroughs and emotional and ethical dilemmas its protagonists face. It frames the IVF journey as a collective struggle against deep-seated prejudices, balancing moments of triumph with the harsh realities of rejection and scepticism. However, some aspects of the storytelling feel superficial, and the film needs to fully dive into its characters' complexities.

The marginalisation of women in the scientific and medical fields is an ongoing issue. Historically, many female scientists have been overshadowed by their male counterparts. For example, Rosalind Franklin's pivotal work in discovering the structure of DNA was primarily credited to James Watson and Francis Crick. Similarly, the film _Hidden Figures_ brought to light the incredible contributions of Katherine Johnson, Dorothy Vaughan, and Mary Jackson—African-American women mathematicians at NASA—whose work was crucial to the space program's success but went uncelebrated for decades.

_Joy_ is a commendable effort to highlight an important figure and the persistence required behind one of modern medicine's significant achievements. While the film has flaws, it succeeds in shedding light on Purdy's legacy and the crucial role of women in scientific innovation, ensuring their contributions are finally acknowledged.