Handling the Undead presents a unique premise: a world where the dead rise from their graves, but instead of mindless, flesh-eating monsters, they return as contemplative, almost melancholic figures. While this concept holds potential for a thought-provoking exploration of grief and mortality, the film ultimately falters due to its sluggish pacing and lack of compelling narrative.

The film's biggest flaw is its glacial pace. Director Thea Hvistendahl seems intent on creating a contemplative atmosphere, but the result is a film that feels overly drawn-out and lacking in tension. Long, static shots and minimal dialogue contribute to a sense of boredom rather than dread or suspense. The slow-burn approach might have worked if the film had a strong central narrative or compelling characters, but neither is present in abundance.

The characters are largely one-dimensional and interchangeable. The film follows three families as they grapple with the return of their deceased loved ones. While the concept of reuniting with the dead is intriguing, the characters' reactions feel predictable and emotionally flat. There's little to distinguish one family member from another, making it difficult to invest in their stories.

The film's visual style is also a mixed bag. While the cinematography is often beautiful, the overall aesthetic feels sterile and lacking in atmosphere. The undead themselves are presented in a way that is more curious than terrifying, which undercuts the horror elements of the story.

In conclusion, Handling the Undead is a disappointing film that fails to capitalize on its promising premise. Its slow pacing, lackluster characters, and underwhelming visual style make it a difficult film to recommend. While it may appeal to those seeking a contemplative, art-house experience, most viewers will likely find it to be a dull and forgettable affair.