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Good Morning Poster

Good Morning

Not Rated
Movie
1959
1h 34m
Japanese
Comedy, Family, Drama
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Rating
WATCHMODE
7.9
IMDB
Good Morning (1959) on IMDb
CRITIC SCORE
88

Where to watch

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Tubi TV
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Keiji Sada
Heiichiro Fukui
Yoshiko Kuga
Setsuko Arita
Chish Ry
Keitaro Hayashi
Kuniko Miyake
Tamiko Hayashi
Haruko Sugimura
Kikue Haraguchi
Kji Shitara
Minoru Hayashi
Masahiko Shimazu
Isamu Hayashi
Kyko Izumi
Midori Maruyama
Toyo Takahashi
Shige Okubo
Sadako Sawamura
Kayoko Fukui
Eijir Tno
Hiroshi Tomizawa
Teruko Nagaoka
Toyoko Tomizawa
Eiko Miyoshi
Mitsue Haraguchi
Haruo Tanaka
Tatsuzo Haraguchi
Akira izumi
Akira Maruyama
Fujio Suga
Mr. Ito
Akio Satake
The Security Bell Man
Mutsuko Sakura
Oden Restaurant Woman
Norikazu Takeda
Zennosuke Okubo
Hajime Shirata
Kozo Harada
Masuo Fujiki
Yoshikazu Okubo
Toshio Shimamura
Oden Restaurant Owner
Directed By: Yasujirō Ozu
Written By: Yasujirō Ozu (Screenplay), Kōgo Noda (Screenplay)

Featured Comments/Tips

luizerl says...
4 years ago
Every frame of this movie is beautiful, looks like a painting, and the story is simple and funny.
Like  -  Dislike  -  Comment  -  000
smallclone says...
4 years ago
Didn't expect fart jokes in an Ozu, but it's a fun comedy with a backdrop of Western influences on Japan. It's essentially about the importance of communication in families and communities (as Ozu's films often are) but with a spin on it that almost predicts the age of consumerism, technology and all that comes with it.
Like  -  Dislike  -  Comment  -  000

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