Glass, is pretty ass.

Look, M. Night knows what to do with the camera, and the music's not half bad.
And to his credit, the dialogue isn't nowhere near as painful as it was in Split.
But that's about it.

We have one actor who's overdoing it to the extent where it becomes laughable, one actor who's phoning it in, and one actor who's actually pretty good, but stays silent for about 75% of the film.
We have a short first act that's okay, but nothing special.
We have a second act in which Sarah Paulson tries to convince everyone that superpowers aren't real.
Now why should that be interesting? We've seen Unbreakable and Split, so that's not a relevant discussion whatsoever.
Therefore, I was thinking: maybe it's more about her persuading the characters then?
Nope, the movie doesn't really do anything with it, and pretty much drops this plot point by the time that the third act starts.
And then there's the goddamn third act, where this movie just completely drops the ball.
First, we have Samuel L. Jackson pointing out how everything unfolds like a comic book.
Storytelling like this has been done to death, and especially in this movie, it doesn't feel authentic, or even fresh, anymore.
It feels like a means for Shyamalan to cover up for his own, as Deadpool would say, lazy writing.
Second, there's the big finale with the James McAvoy and Bruce Willis characters.
Think about the most unsatisfying ending you can imagine for these two characters, and you're probably pretty close to what actually happens.
Finally, as for the twists, there are a few. Most of them are not earned and feel lazy. However, there's one that worked for the story of the trilogy and brought it all together in a sense (SPOILER: [spoiler] talking about the twist that James McAvoy's dad was on the same train as Bruce Willis )[/spoiler].

3/10