There’s like 2 or 3 scenes where Hugh Jackman gets to act. Those are pretty good until you realize we’ve seen those beats already in a better movie. Moreover, there are a couple of well executed fights, for example there’s a tracking shot near the end that was definitely a lot of fun. Besides that, I wouldn’t hesitate to call this a schlockfest. The script is so tacky and forced, it makes _The Flash_ seem coherent by comparison. Don’t even try to put any effort in understanding the logic or motivations of characters, even more so than _No Way Home_ the script is just there to link together whatever’s on Reddit’s wishlist. The comedy has only gotten more infantile since _Deadpool_, it’s self-aware to the point where it becomes extremely irritating. It already knows what people are going to bitch about, but rather than fixing those issues, it just throws them right back at us. Pointing out the lazy cameo porn in your own movie doesn’t mean you get a pass for doing it. Hugh Jackman is a sellout for doing this piece of junk, yes we know mr. Reynolds, very cool. This movie is like a piece of bubblegum, it’ll lose its flavour once the dopamine starts to wear off. There should’ve been way more focus on the relationship between Wade and Logan, as well as the villain (pretty good performance by an underused Emma Corin). That’s the core of the movie, but it’s pushed to the background in favour of being an extended SNL sketch. Technically the film’s not very good either. Shawn Levy still doesn’t know how to shoot a movie, almost everything looks fake and washed out, especially when compared to previous _Deadpool_ installments. The score is entirely forgettable and the basic b*tch needle drops - while ironically funny at points - get a bit eye-rolling. Throughout I just kept thinking about the use of DMX and the more subversive spirit of _Deadpool_. Why is this movie so much dumber when its audience has matured by eight years? Shouldn’t we push the subversiveness a little bit further with the introduction of shows like _The Boys_? Clearly it doesn’t hold back in regards to language, drug references or violence, and it even allows for Feige and Disney to poke fun at themselves. However, it all feels watered down and calculated, which essentially renders the character meaningless. Is Disney just too afraid to deconstruct its own bread and butter besides acknowledging that they’re at a low right now? I’d argue you’re not gonna save this genre unless you’re willing to take an honest, critical look at what’s wrong with it. What better character to do that with than the merc with a mouth?

3/10

Its story may not be the strongest, but the comedy makes 'Deadpool & Wolverine' an excellent watch!

There are some top notch gags in there, particularly to do with the recent offscreen changes for Wade Wilson's alter ego. As you'd expect with Ryan Reynolds in this role, the jokes are plentiful and there is barely any time to react to one before another appears. That can sometimes not work as well as intended, e.g. 'Deadpool 2', but here the humour is executed perfectly.

Reynolds himself is quality, it is a quintessential Ryan Reynolds as Deadpool performance. It's real neat to see Hugh Jackman back as Wolverine, he does play second fiddle to the other titular character but still more than holds his own, as you'd expect. Emma Corrin, meanwhile, enters the MCU with a great showing.

As noted at the top, I do think the plot couldn't been superior - but not in a negative way. What is portrayed is still entertaining to watch, it's just not necessarily on the same level as the comedic elements. A fun watch, all the same. Do I like it more than the 2016 original? I think so, would only be minorly so though.

Theres not much of a plot and the villains weren't that great. It was a good laugh though and amazing cameos and fight scenes.

_Deadpool & Wolverine_ is the best the MCU has been since Guardians of the Galaxy Vol. 3. It’s two hours of comic book-driven fan service and delivers entertaining surprises, nostalgic throwbacks, memorable action sequences, and worthwhile performances.

**Full review:** https://bit.ly/WadeLogan

In moviemaking, sadly, there can be a problem with going to the well too many times, and this latest installment in one of filmdom’s better cinematic franchises verges on proving just that. This offering’s predecessors (2016, 2018) significantly distinguished themselves from the kind of fare typically found in the superhero genre with their outrageously bawdy humor, hilarious sight gags and relentlessly maverick attitude. This time out, however, director Shawn Levy’s latest effort is a decidedly hit or miss affair, with an often-incoherent script that feels like it was cobbled together from a collection of leftover parts, some of which work and some of which don’t. I suppose that’s not entirely surprising from a screenplay that was penned by four different writers, making me wonder how much consensus was in place in compiling the finished product. Moreover, this film appears to be intended to fold the Deadpool franchise into the X-Men franchise, an intriguing idea that, regrettably, is handled rather clumsily (as has often been the case with many other recent fusion offerings in the Marvel Universe). And, if all that weren’t bad enough, this release gives short shrift to the colorful cast of supporting players that made the Deadpool films so funny, original and enjoyable, relegating them to little more than cameos in favor of walk-ons by a host of other MCU characters (some of them remarkably obscure, I might add) in an attempt to help cement the franchise cross-pollination going on here. It makes for awkward storytelling at times, especially for viewers who might not be familiar with these lesser-known figures, some of which are drawn from Marvel source material unrelated to its big screen offerings. To the picture’s credit, it features yet another stellar turn by Ryan Reynolds as the off-color protagonist, as well as its share of hilarious bits (without a doubt the franchise’s historically strongest suit), including a number of unabashed, razor-sharp asides referencing off-screen developments related to the studios that produced these films and the actors who have appeared in them. These strengths notwithstanding, however, this is a production that has sadly watered down the elements that best made this franchise work in favor of an overarching programming agenda that simply doesn’t serve this film or the series particularly well. The creators would have served themselves and viewers better by sticking with what works and the basics of good storytelling than trying to force an issue for the sake of future productions that may or may not work over the long term. This has been a noticeable downfall in the quality of many of the most recent Marvel Universe releases, and I’d truly hate to see this franchise befall a similar fate.