Day for Night (1973) - Where to Watch, Reviews, Trailers, Cast - Watchmode

Day for Night (1973)

A dedicated director battles chaos on set, appealing to fans of behind-the-scenes drama and filmmaking enthusiasts.

Genres: Comedy, Drama

Cast

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Your Status

Day for Night(1973)

PG
Movie1h 56mFrenchComedy, Drama
8.1
User Score
93%
Critic Score
IMDb

Where to Watch

Overview

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

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Featured Comments/Tips

For Godard, cinema is a woman. Untouchable and incomprehensible, yet endlessly fascinating. A hopeless chase. For Truffaut, cinema is a family. Individuals working out their differences but sharing a common bond. A demanding journey. "Contempt" and "Day for Night" work so well together. Like two sides of the same coin. Godard the pessimist, and Truffaut the realist. Those two films are for cinephiles or filmmakers, but a regular audience probably can't relate as much.

If you're into films and filmmaking, as Truffaut obviously is, this is a whole lot of self-reflexive fun. Lots of nerd jokes and references, to go along with a narrative detailing the backstage antics that happen off-camera.

The original title of the film is La nuit américaine.

Featured User Reviews

It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himself) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.

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