***Dynamic Bucharest werewolf flick feels like it’s in a rush***

Two former-American youths meet in Bucharest, Romania, and develop an affinity for each other (Agnes Bruckner & Hugh Dancy). But one of them is a traditional werewolf (a person who can morph into an actual wolf) and is reluctant to pursue a relationship with a regular human. Meanwhile the city’s pack leader (Olivier Martinez) wants the pretty young thing for himself and so sends his son (Bryan Dick) to get rid of the dude.

"Blood and Chocolate" (2007) was based on the 1997 book by Annette Curtis Klause and debuted 22 months before “Twilight” (2008), which was based on the 2005 novel by Stephenie Meyer. As such, don’t expect a “Twilight” clone.

What’s great about this movie is the magnificent Bucharest locations and the polished kinetic style and great music, not to mention the decent cast. There are elements of “An American Werewolf in Paris” (1997), “The Howling” (1981), “Wolfen” (1981), “Wolves” (2014) and “Twilight” (2008). The last two came out later, of course; I’m just providing reference points.

Unfortunately, "Blood and Chocolate" starts out like it’s in a rush, like it’s trying to cram too much material into the first 15 minutes plus cater to people with ADHD. It eventually finds its footing just enough to enjoy it, for the most part, but it needed more room to breathe. The flick only runs 97 minutes; another 20-22 minutes would’ve done wonders. As it is, it feels like it lacks the confidence to slow down and take its time.

As far as comparisons to the book go, the filmmakers dumbed down the plot (naturally) and made it more "hip.” The book's message was to accept who you are and don't try to be something you're not while the movie's moral is to not let others determine your identity, customs or destiny; go after what you want and do not allow yourself be limited by the hand dealt you or what others say.

GRADE: B/B- (6.5/10)