Jason Bateman directs and acts in the film with the assurance of someone who has been in the ‘business’ since he was ten. Particularly in the comedy genre he is sure-footed and knows his way around. It helps he can call on Alison Janney and Kathryn Hahn as good ship-hands that obviously made sure any stormy waters were traversed with ease. Then throw in Philip Baker Hall and your main acting roles are safe and sound. The casting of the young genius could have been the weak link but luckily youngster Rohan Chand more than holds his own in what may have proved a problematical character.

All in all the sea Bateman chose to sail was familiar waters and if I had know beforehand he was directing a film, and the subject matter, I would immediately assume it was going to be at least watchable. The humour, as he described himself, was darker and more like his own humour but he said he does not like that style of humour if it comes from a mean place. The frankly horrid and disgusting put-downs only come when Trilby is provoked or attacked first. Except of course for two scenes when he wants to overcome particularly tough child opponents. Initially, without thinking, these scenes are funny but on reflection the meanness is all too obvious. I am overthinking but I could not help but remember the little girl and how Trilby nixed her. A scene suggested by Bateman, that the writer, Andrew Dodge, (in the video extras) thought was hilarious, but was it really that funny?
Comedy is meant to make you laugh and with some film-makers it can also hold a mirror up to us whilst we laugh, provoking different emotions and thoughts. Bad Words attempts to show the consequences of reneging on responsibility and to a lesser extent the futility of seeking a redemptive revenge although perhaps this is overly analytical as Bad Words is played almost entirely for laughs.

It does bother me that Guy Trilby’s quest makes sense in a ridiculous way and he redeems himself in the eyes of the audience with a touching end to the story, this truly can be called a trope. Yet there are still those two reprehensible acts that are enacted on very young children. These are never further addressed and appear to have no consequences for Bateman's character despite them being truly despicable, in one case surely causing serious problems within a family. Okay it is a comedy but why drive the character to these unlikeable actions to show how much he is prepared to go to win a competition against children, then redeem him at the end but have no conclusion for characters he has wronged in a very unnecessary manner? It is possible, Ricky Gervais did it recently, making his own character unlikable, albeit with an understandable reason, but still having a kind heart so that later he attempts to redress the balance. A bit 'heart string tugging' and possibly unlikely but needed for a horrible character that you want the audience to like. Guy Trilby only does this with Rohan Chand’s character and to a lesser extent two others that drive the story one, but that is it, peripheral characters can just cope with it. I think they were hoping the viewer would forget. It does seem a bit mean-spirited which is a shame in what at times is ostensibly a fun film.
Bad Words is a confusing film for me. I laughed at the running time and enjoyed the story and how it ended. Afterwards I thought about it more clearly.

Moral of the story? Do not think about films.