American Animals (2018)
Four ambitious college students plan an audacious art heist. Ideal for fans of heist thrillers like *Ocean's Eleven*.
Genres: Drama, Crime, Documentary
Cast
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American Animals(2018)
Overview
Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.
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Cast
Full Cast & Crew
Evan Peters
Warren Lipka

Barry Keoghan
Spencer Reinhard

Blake Jenner
Chas Allen

Jared Abrahamson
Eric Borsuk

Warren Lipka
The Real Warren Lipka

Spencer Reinhard
The Real Spencer Reinhard

Chas Allen
The Real Chas Allen

Eric Borsuk
The Real Eric Borsuk

Ann Dowd
Betty Jean 'BJ' Gooch

Gary Basaraba
Warren Lipka Senior

Lara Grice
Mrs. Lipka

Jane McNeill
Mrs. Reinhard

Whitney Goin
Mrs. Allen

Udo Kier
Mr. Van Der Hoek

Wayne Duvall
Bill Welton

Fedor Steer
Dutchman in Café

Jack Landry
Economics Lecturer

Gretchen Koerner
Exam Professor #2

William Cowboy Reed
FBI Dorm

Drew Starkey
Frat Boy
Featured Comments/Tips
Just watch it and have a great time, this movie really is something special. Thanks everyone for that!
★★★★½ I went into this expecting a bad over-stylized white fratboy heist movie retread but i got something much sweeter. Everything about this film centers on the facades that we put on every day in order to not just impress other people, but simply to be different. We'#39;re influenced so much by media and it freaking drowns us into us creating our own characters and telling our own stories that aren'#39;t necessarily true, but fit the narratives that we have in our brains to align with the facade. This film is the most ANTI heist movie I'#39;ve ever seen, as we not only watch the heist horrifyingly play out, but afterwords we REALLY see the effects of how it not only affected the criminals, but their victims and their families as well. It chokes their psyches. Really gave me Boogie Nights climax vibes. Sure, it is all straight white males performing this crime, but what it has to SAY about that is really interesting. They'#39;re fucking American Animals. Great movie. Not Paddington 2 great, but still great.
Now that was a sound film with a good cast.
The '#39;based on truth'#39; telling of the heist and the lives of the guys involved would have been enough for a good movie. However, with the interspersed commentary from the actual people involved in the heist (the librarian included), this transcends into something quite excellent. A remarkable story and a wonderfully crafted movie.
_American Animals_ isn'#39;t a heist movie, it'#39;s an anti-heist film because it strips away all of the bravado, posturing and machismo of gangland robberies and replaces that bullshit with the truth: four bored young men looking for an easy way out and not prepared for the repercussions they never could have foreseen. Brilliant directing, acting and story make this an easy film to recommend.
1 / 2 directing 'amp; technical aspect 1 / 1 story 1 / 1 act I 0 / 1 act II 1 / 1 act III 1 / 1 acting 1 / 1 writing 0 / 1 originality 0 / 1 lasting ability to make you think 0 / 1 misc 6 out of 10
An ok thing. Expected something different and got a well self reflecting trip.
Good movie. A very different story line and the way it is told makes for an absorbing watch.
Good movie. A very different story line and the way it is told makes for an absorbing watch.
I went in with the wrong expectations. This is more artsy movie than a heist movie. Its about a bunch of dumb asses planning a heist and reflecting on their choices in the future. You really have to be in the mood for watching this.
Featured User Reviews

This is the first realistic heist movie. Loved that it’s not only about the heist but also about the way it affects the four protagonists, their families and the victim. [spoiler]The _Ocean’s Eleven_ reference was perfect. Also, nice _Reservoir Dogs_ reference. Not my favorite _Tarantino_ either. Nobody wants to be _Mr. Pink_. Ever.[/spoiler] _It is not based on a true story, it is a true story._ The use of the real people is so awesome and cleverly done. It reminds you about the reality of the facts every time. [spoiler]Sure there are some things that may have been romanticized/faked by _Warren_. But it’s a four men story. And we see it clearly during the movie when they meet with the guy in New York. _Warren_ and _Spencer_ are just describing two different meetings.[/spoiler] The acting is crazy good too. It’s just crazy. Nothing else to say. Standing ovation for the actors. You can also find a lot of really poetic moments like [spoiler]when the car drives in front of the real _Spencer_ before the heist and at the very end from both perspective or when _Spencer_ crosses the way of the flamingo.[/spoiler] The movie is a bit slow at some points but it builds up to be a 10 for me. Highly recommended even if I understand it can be a love or hate kind of movie.

If I had've known in advance that _American Animals_ was going to be a True Crime Doco that was 95% re-enactment, I probably wouldn't have watched it. Because that sounds like everything I hate about American television. Glad I didn't though, because that meant I did watch it, and _American Animals_ is actually quite good. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Wow, it's been a while since I've seen a movie, in the theater, with MoviePass. I guess they're finally making money off me. I'm back, re-energized, and glad I picked this to be my next watch. American Animals is the true story of four boys who got themselves into a bad situation. And by bad, it's stealing four books in hopes of something. They don't know what, just that doing it is something different from their menial lives, and it might make them rich. What makes this film so lovely is it's presentation of it's characters. It's part interviews, part recreation of the real events. How real? They actually call this out as a plot point. Spencer Reinhard says twice that he remembers the events differently from his friend, the ring leader, Warren Lipka, but they make this out as a crucial thing. They share both sides, but Spencer wonders if Warren was making up anything he was saying, further pushing the mystery of the story and questionable trust in each of their emotionally wrecked selves. Each of them are clouded by their own bias and viewpoints. Three of these kids don't even want to do the heist, while the in-over-his-head leader keeps persuading them to keep going. But once the heist happens, he breaks down just like the rest of them. What I liked was there were no subplots or other nonsense clouding the focus of the story. It never jumps to other locations to see what other people's reactions were to what's going on, no filler with like the FBI investigating at their headquarters. What matters is the lead four's reception to what's going on. It puts in sub-textual perspective that they aren't thinking about real world consequences or their future with what they're doing. There's a great scene that keeps cutting between each of them, in their trance and mortified state after the heist is over, demonstrating the guilt and regret they're feeling for what they had done. They each snap at the same moment, but nothing what they each do matches physically or anything. They just all snap at the same time. There's this other little detail I like, before the first attempt at the heist happens, Spencer is sitting at a table and his pounding two little horse figures down repeatedly, making the sound of a tense heart beat. I could do commentary over the whole movie, but I want to wait for Bart Layton to do one on the Blu-ray. There's this little moment I caught where, okay, it's a montage of Spencer and Warren talking, but it keeps cutting between them in different locations, one of them sitting outside and another in the car. You know people sometimes bring back up conversations at later times. So, for this edit, Spencer is outside talking, but then his next line acts like he's in the car, and points up, saying, "Pull in here." It then cuts to him in the car at a gas station. It was a very quick motion, but very slick and thoughtful way of transitioning. The robbery is fast paced, heart pounding, and emotionally confusing twist of events. My heat felt like it was being physically stabbed repeatedly. I love Ole Bratt Birkeland's use of spinning camera motions, swerving back and forth to each character's reactions. This is a beautifully shot and orchestrated movie, you must check this out on the big screen. Above all else, this is how you create a heist movie. It twists the genre a little, and understands how to subvert your expectations well, but I actually grew to care about the characters. Even if what they were enacting was morally wrong and illegal, the way this explores their heads in a clever and deeply relatable form, makes this a stand-out sleeper hit of 2018. One of the very best of the year.
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