
Your Status
After Yang(2022)
Overview
When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.
My Friends' Ratings
None of your friends have rated this yet.
Cast
Full Cast & Crew
Justin H. Min
Yang

Malea Emma Tjandrawidjaja
Mika

Colin Farrell
Jake

Jodie Turner-Smith
Kyra

Haley Lu Richardson
Ada

Sarita Choudhury
Cleo

Ritchie Coster
Russ

Clifton Collins Jr.
George

Orlagh Cassidy
Lillian

Ava DeMary
Vicky

Lee Wong
Wei

Brett Dier
Aaron

Eve Lindley
Faye

Adeline Kerns
Twin 1

Ansley Kerns
Twin 2

Nana Mensah
Nico

An-Li Bogan
Ling

Deborah Hedwall
Nancy

Katie Honaker
Min's Mother

Alberto Del Saz
Dancer
Featured Comments/Tips
The dance scene in opening credits might be my favorite opening credit scene ever. The rest of the movie is pretty boring, especially Colin Farrell as Jake, even though the concept of an android used to assist in parenting would be cool if done right.
In a not-so-distant future where Muji has taken over the world, a multiethnic family has to deal with the loss of their android babysitter. The film invites us to reflect on family, technology, and existence through fragments of daily life and bittersweet memories. Although the philosophical questions posed might be nothing new, it’s the approach that makes them relevant, as it’s rare to find sci-fi narrative themes combined with the warm and intimate setting of a family drama, within the walls of a house that seem to be lost between past, present, and future. Although I confess that I teared up a little during the second half, the film is not built around an emotional climax, and might discourage some audiences due to its low-key meditative tone and tendency to rely on artsy cinematography over raw emotions.
A contemplative and aesthetically pleasant film which went down well with me.
Love how colin keeps leading me to those niche premises
A decent contemplative film on what it means to be alive and to have lived. Beautifully shot and the future world is realized and hinted at in a great way. My main nitpick is you kind of get it within the first hour and the film keeps hitting the same themes again and again.
Well, _Peacemaker’s_ time of holding the the title of best opening credits dance sequence of the year turns out to be short lived. This is like a great _Black Mirror_ episode (the philosophical kind, not the dystopian kind). I’d also highly recommend it if you’re a fan of Alex Garland (the visuals in this reminded me a lot of _Devs_). We’ve seen this concept of humans and AI living together done before (_Westworld, Blade Runner_), but this is more focussed on family relationships and drama, which makes it very fresh. The cinematography is out of this world, acting is top notch across the board, good score, interesting storytelling that goes in directions you don’t expect, thematically rich, tight editing, it’s really great stuff. Just know what you’re getting into: it’s reflective and meant to give you food for thought, it’s not a pulpy thriller about AI taking over the world. 8.5/10
Not my personal favorite from A24 or Colin Farrell. It is still quite good and a pretty unique family/sci-fi film. I could certainly see a large chuck of people loving this one, but for me I prefer others. Rating: 3/5 - 7.5/10 - Worth Watching
Like a brain dildo for mental masturbation. This sequel to Ex Machina was originally titled Ex Machine. Just kidding. But this movie about a dead android (techno-sapien) only went skin deep and its lack of a human touch meant the movie didn't really touch me. I'm not embarrassed to say I didn't like this film that everyone else did, but I will say many people whose opinion I respect really loved After Yang so you should probably go listen to them instead. At least this time.
The credits with the dance, as in "Pachinko" (2022) seem a characteristic of the director, as does the exploration of memory, even if it comes from AI. There is a beautiful expressiveness in the representation of the database that contains emotions, which turns the memory bank into personal identity, the past as a reconstruction of the present. Kogonada is also sometimes lost in his contemplative gaze, languishing in emotions that become all too apparent in the latter part.
Gave this garbage 35 minutes to actually see if it was going anywhere - waste of time.
Thematically very interesting but the sluggish pace undermines its power.
very boring .not impressed there was nothing exciting about this movie . its extremely slow and I only watched it for Colin .
Considering I’m not the biggest fan of sci-fi, this is one of the more interesting films I’ve seen in the genre. It’s a tad bit too slow, and it did take me two turns to finish it, but its themes and hypotheses for the future are really fascinating and food for thought. My favourite aspect of the film is maybe its conception of a post-racial world, cultural heritage and what it means to grow up in a family composed of people of a different race than yours. It’s not the film’s most futuristic theme, but its approach and “solution” to it, is. Otherwise, the themes of human (dis)connection, relationship with tech, and the humanising of tech are all very interesting and super pertinent. Kogonada’s directing is marvellous and intentional. I especially liked the way he cinematically translates the process of “remembering”. Beautiful and poignant visuals throughout with a minimalistic score that compliments them perfectly.
didn't know skinny, soft-spoken teashop-owner Colin Farrell was something I needed to watch until now
A bunch of humans who grow attached to a materialistic item. The parents show regret for having let a “technosapian” look after their adopted child and reflect on what they missed, as a result of being poor parents.
This starts amazing and funny however the dance intro credits scene has nothing to do with the rest of the tone of the movie. It goes nowhere and is very boring, yawn inducing nonsense. I watched this due to having 7.5 on imdb at the time, Colin Farrel and A.I. - it sounds like a great mix on paper. By the end I was disappointed, this was not for me at all, I think it is meant for the more "arty" types and it reminded me of the "Birdman" film and how I felt after watching that. There is a boring disconnect between him and his wife, they adopted a chinese child and decided it would be a good idea to get an AI programmed to be of Chinese origin to really raise the child for them and teach her about where she came from. They seem to palm the child off on other people or each other while claiming too busy to raise her yet acknowleding it. It is quite sad overall.
Featured User Reviews

- Things I didn't think I would see today: Colin Farrell in a family dance off. - That was the weirdest start. Love it - The grafting-adoption parallel was extremely sweet and on point - Ah. The Haley Lu Richardson&Kogonada saga continues - All the dance crews are reappearing - Fascinating the technique of showing "videocalls" as the different points of view (in turn), but withou showing screens nor devices. It feels like theater, taking turns as in a ritual - (Totally unrelated but just yesterday I watched Black Mirror 1x03, and I'm having flashbacks for the memory implant thing) - Beautiful collection of life instants - That change in perspective to Jake's was smooth as silk, to seeing Yang, his family and himself and his own actions with different eyes from the past - (Yang's haircut is a little questionable IMHO) - It's a captivating idea that of a synthetic being with a marked disposition to curiosity: someone who can act as a sort of mirror, vehicle towards introspection by asking question we don't often ask ourselves or get asked even by loved ones - who maybe take those facetings of our nature for granted. It could be a sort of therapy for many people not questioning their own identity and ideas, not testing and twisting them - which I personally think is one of today's biggest issues - I'm getting more and more appreciative of Farrell's performances, year after year - It is turning in a tale over loss. I don't know if I wasn't paying attention to those strings in the soundtrack, but now they fit nicely - How would you separate your identity from the way you were programmed? Are the two separated? Visually magnificent, words that come to mind to describe Kogonada are rituality and aesthetic musicality, if it makes sense. A philosopher of tea, after this? I felt an incomplete connection with the characters. Maybe it was too reflective to allow to create attachment and delve into them properly. I think I loved Columbus more because of the exchanges of ideas, the dynamic between the characters which led to a mutual growth. Here it felt more one-sided: through Yang's eyes, a blossoming for Jake. Still, beautiful and poetic

I really liked what _After Yang_ was attempting to do. There was a really deep, interesting story about loss, but unfortunately the weight of the topic drowned this movie. The movie was barely 90 minutes long and it felt like eternity watching. The emotional impact was destroyed by the slow pacing. In my opinion, this movie had no business being as long as it did. There was not enough material in order to make a feature length film and would have been better suited at a short film. **Score:** _57%_ | **Verdict:** _Decent_

I found in After Yang something I had been searching for for a long time. It is particularly special to me as an Asian whose culture and sense of belonging has faded with each passing generation. My recent quest to rekindle what was once of my ancestors has been especially difficult in a climate that has so flagrantly looked down upon me. After Yang provides a sense of relief in the idea that who you are is not solely defined by where you come from. **My full 5-star review: ** https://www.cinemasolace.com/reviews-%26-articles/f/review-after-yang-%7C-sundance-2022

Near future sci-fi that's a reflection not just on how our relationship with tech and AI might change, but also on how tech and AI can change our relationships with other people. Lots of dream like memory sequences with an effective soundtrack and visuals. Not bad, not great, a bit slow maybe.

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/after-yang-spoiler-free-review-sundance-2022 "After Yang may have some pacing issues, but Kogonada's beautifully thoughtful storytelling and ASKA's unforgettable, tear-inducing score transform this piece into a contemplative, inspirational cinematic experience. A profound, sincere study of what it means to be a family, what it means to be loved, and how important it is to remember where we come from. A fascinating look into the core of humanity through the heart of a robot - both literally and figuratively. Exceptional performances, but Colin Farrell stands out with a subtle yet potent performance. Occasionally, it loses itself amid its admittedly gorgeous wide, static shots. Still memorable, nonetheless." Rating: B+
You might also like...

Batman: Return of the Caped Crusaders
2016

Love, Kennedy
2017

Next Gen
2018

A Shaun the Sheep Movie: Farmageddon
2019

Tomorrow Ever After
2017

Wonderstruck
2017

The Last Black Man in San Francisco
2019

The Vast of Night
2019

Little Fish
2021

Skater Girl
2021

Green Lantern: Emerald Knights
2011

Nimona
2023

Earth Mama
2023

The Swan
2023

Lois & Clark: The New Adventures of Superman
1993

Siren
2018

Ugly Betty
2006

Star Trek: Short Treks
2018

Percy Jackson and the Olympians
2023

Eden
2021

Doogie Kamealoha, M.D.
2021

The Wonder Years
2021

I Am Groot
2022

Star Wars: Tales of the Empire
2024

Geek Girl
2024