msbreviews
/10 4 years ago
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Ever since Jordan Peele shocked everyone with his feature directorial debut, Get Out, no one else questioned the potential that a well-known comedic actor could bring to the horror genre. Therefore, I vividly remember discovering that John Krasinski was directing, writing, and starring in a low-budget, original horror flick and feeling incredibly interested, to the point of considering it one of my most anticipated movies of the respective year. I absolutely adore the actor's memorable performance in The Office, but I never really saw anything worth noting from him after that show. Adding Emily Blunt (Sicario, Edge of Tomorrow) - her "slightly more famous" wife - was definitely an attention-grabbing move, especially when the young actors were still unknown at the time of release.
With the help of Bryan Woods and Scott Beck, Krasinski developed a screenplay based on a relatively simple yet highly impactful, imaginative premise. Creepy, scary monsters who hunt by sound isn't exactly a mind-blowing story aspect, but the extreme amount of tension and suspense transform a regular theater session into a nail-biting, nerve-wracking cinematic experience. Fortunately, the audience at my first screening was really invested in the film, which made for a truly unforgettable moment that I know some people didn't have due to disrespectful moviegoers. However, if there's one thing no one can take away from A Quiet Place is that it works just as well or better watching at home with the lights out in the silence of our own house.
Some viewers might look at this movie solely as an entertaining horror film with effective jumpscares, shock value, and cool monsters, which are all great attributes. However, the reason why everything works so well is indisputably due to the profoundly well-explored family. Thematically, parenthood and family love are subjects that Krasinski and his team of writers deeply expand upon, primarily through the father-daughter relationship. Being a parent is seen by many as a daunting task, filled with the inevitable fear of not being considered a good father or mother. Lee and Regan's (Millicent Simmonds) difficulties in understanding each other are not only remarkably relatable, but their bond also contributes to some of the most emotional scenes of the movie.
Lee and Evelyn only desire to keep their children safe, but when the world is packed with merciless creatures that kill if a pin drops, some details like having a deaf daughter certainly don't help their mission. They do, however, dial up the levels of tension and suspense to their maximum. Krasinski shows tremendous skill as the director by delivering excruciatingly suspenseful build-ups and exceptionally effective scares. His ability to drastically change the entire mood of a scene offers the viewers several genuinely captivating sequences. Horror-wise, there's plenty to enjoy. From creative atmospheric sequences to jaw-dropping, shocking plot points, A Quiet Place has something for everyone.
I've addressed Krasinski's work as both director and writer, but he also offers what I believe to be his career-best performance in a feature film. Both he and Emily Blunt perfectly capture the terrifying feeling of living in a post-apocalyptic environment. The protection of their children carries overwhelming despair of losing them to the visually distinct monsters, and both actors shine in their roles. However, my personal standout is Simmonds (Wonderstruck) and Noah Jupe (Honey Boy, Ford v Ferrari). Both were unknown young actors at the original release date, but they steal the spotlight from the big stars. Jupe proves that he has everything to become an Oscar-winner - the demand for him is exponentially rising - and Simmonds delivers one of the best performances I've ever seen from a real-life deaf actress, bringing a great deal of authenticity to her display.
All incorporate their characters seamlessly. The interactions between the adult and young actors feel as realistic and honest as possible, also due to the beautifully written screenplay. Technically, I must praise the phenomenal work done with such a low budget. All the way from the shooting location to the sound department, it truly feels like every single person had an essential role in the making of this movie. Not even the monsters are at fault, and there are a couple of close-ups that could have easily been awful, but the VFX artists really step up to the plate and deliver wonderfully horrific creatures. It's well-edited (Christopher Tellefsen), well-shot (Charlotte Bruus Christensen), and the score (Marco Beltrami) is employed just at the right moments.
I only have one major issue with the film. Story-wise, even though the audience is placed in a fictional world, it feels so real that it's hard to ignore a couple of logical questions regarding the fate of the rest of humanity. These nitpicks don't really bother me, but the ending of the movie still doesn't sit well with me after many viewings. Without spoiling it, of course, the very last shot feels like a cry to Hollywood to make a sequel, which I have to admit is somewhat disappointing. Finally, a film that doesn't belong to cinematic universes or titanic franchises focuses on telling an engaging story with characters worth investing our time on… all to end in a slightly out-of-character moment so more movies can be made?
A Quiet Place remains emotionally impactful, as well as incredibly suspenseful and tense, even after multiple viewings. Boasting a concept so unique yet so simple, John Krasinski and his fellow co-writers create a profoundly well-explored, character-driven horror story packed with relatable family issues and impressive performances across the board. Through justified shock value and surprisingly investing non-verbal dialogues, this film is one more piece of evidence that the best horror emerges from remarkable character building. The popular actor also proves to be a phenomenal director, generating extreme suspense quickly, drastically altering the entire atmosphere of a scene seamlessly. Technically, it genuinely feels like a low-budget flick where every single department has a noticeable impact on the final product, but the menacing, distinct-looking CGI monsters do steal the spotlight. Despite a few logical issues and an ending that feels more corporate than indie, my love for this movie continues intact. Hopefully, its sequel won't be a disappointment.
Rating: A-